Capo 4$ W) p, o6 t; ]/ g% _
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Intro:9 D( }% k( B ^/ i# B
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8 a4 j5 K' w6 be|----------0-0-0-0-------1-1-1-1-0--|% o: }6 q l- k2 m1 D0 v, ]
B|--1-1-1-1---------0-0-0------------|
0 i1 _' c i+ c7 x) w B( n* v% qD|-----------------------------------| x3
' Z1 n) n1 M9 T# Y0 X6 TG|------------------------0-0-0-0-0--|( i9 E8 Y$ f' p3 }; f
A|--0-0-0-0-3-3-3-3------------------|, {: t5 _, d0 d
E|------------------3-3-3------------|0 ?8 z6 W9 Y" e+ V- l" n2 h
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Am C G Dm
$ D( u3 U; Z$ m: pA Red One (Konvict)
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Ga Ga (oh oh, eh)+ x I4 n$ y/ R$ P# E2 j
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I've had a little bit too much, much (oh oh oh, oh)
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All of the people start to rush, start to rush babe4 z6 F; B y6 j1 x+ E6 ]
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How does he twist the dance, can't find my drink or man( V6 `/ }1 y5 M* {& v0 m
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/ B h' i6 @4 n: W+ ZWhere are my keys, I lost my phone, phone0 ?2 B% z6 U. `& }) p% H
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Bridge:8 f; e. ]5 F7 R" g" @' x# R; \
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/ P! i+ b: p& X a, fWhat's going out on the floor?
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( E* q+ P, a! l( UI love this record baby, but I can't see straight anymore
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8 e, k* S( O2 x+ [" rKeep it cool what's the name of this club?
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! O% T/ b) f' p1 `0 F+ }2 ]I can't remember but it's alright, alright
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$ U2 S) c( }9 [4 U/ b6 O* C9 [5 RChorus:9 {& }$ t: u4 C0 t
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1 q2 O5 O+ t/ W6 V2 nJust dance, gonna be okay da doo doo doo5 v' F$ ?* \/ a0 s4 x) W
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9 c4 F* \% }& i: k$ s' F: o# vJust dance, spin that record babe da doo doo doo9 u5 C* U( ?6 d3 N2 F: Q+ P! \2 W% k
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Just dance. gonna be okay duh duh duh duh$ w% c9 B- V% b
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1 p' Z6 T6 ?. X) }* gDance, dance, dance, Ju-just dance- s$ R3 a4 W3 g
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B4 m- J7 {8 V; k. D( b# s4 a5 p9 mWish I could shut my playboy mouth (oh oh oh oh)
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How’d I turn my shirt inside out, inside out right
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9 Y/ ^( M9 _5 ^2 KControl your poison babe, roses have thorns they say
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And we’re all gettin’ hosed tonight (oh oh oh oh)7 D/ q& D2 b3 N- B
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Chorus
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7 n [8 x7 t( {8 h/ l8 k4 [When I come through on the dance floor checkin' out that catalogue
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+ ^. E* V' B0 x" B4 {5 \Can’t believe my eyes so many women without a flaw+ O i+ I, ^$ X8 E* ^
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And I ain’t gon’ give it up, steady tryin' a pick it up like the call
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I’ma hit it, I’ma hit it and flex and do it, until tomorr’
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7 {' H: h! t0 A+ T2 k2 W. mYeah, shawty I can see that you got so much energy
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The way you twirling up them hips round and/ r" N& R4 u% H9 A' h2 D" B V
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Round, and there is no reason, I know why you can’t leave here with me
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In the meantime stand, let me watch you break it down and
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# U+ s! X a' F3 jChorus & B! s9 `2 L% C) f2 I$ H
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0 r( |: O/ X' u7 [2 \, MHalf psychotic synchypnotic7 k7 S! M5 y! K3 N9 R/ d2 H+ O' P* r
Got my blue burners and phonic
% _" r k9 m! w% P7 S' Z, e7 `half psychotic synchypnotic
/ z! H* M& U* X! ]" t' EGot my brand electronic5 _( P2 ?: j4 {0 n! I: g7 Z# d' ^' X
Half psychotic synchypnotic$ N! h; i A/ h7 t, B' S
Got my blue burners and phonic
4 z; n% v$ w+ \6 PHalf psychotic synchypnotic8 J3 P! _# k4 F2 M7 k* F
Got my brand electronic
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" G2 Z$ v5 ?' S- i4 cGo Use your muscle carve it out work and hustle1 j& h/ q8 U" x7 d" j8 S1 `0 R, b
I got it, just stay close enough to get it
5 Q( Y: h3 Y Z1 B% CGO slow. Drive it, clean it like so pleaded
; d1 C* l6 } T x- l+ mspend the last dough (I got it)
4 b3 ]( J+ |) h8 Vin your pock-oh (I got it)
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Chorus |