標題: Top 50 Guitar Riffs of All Time [打印本頁] 作者: will63 時間: 2011-2-28 00:22 標題: Top 50 Guitar Riffs of All Time
Top 50 Guitar Riffs of All Time ( G7 q( w+ h3 X4 `0 O2 NSubmitted by Jason on Wed, 02/16/2011 - 05:38.9 ?1 i5 ?8 o5 {/ [
Gibson have finished the final 10 in their series of top guitar riffs, but should all of these be in the list? Are they all genuine riffs?: ~! ` @0 V$ I3 x$ g$ H
0 z# I4 Y" `: A ?7 v* S8 kHere in the Hitsquad / GuitarSite.com office, we had a bit of a discussion on what really constitutes a riff. Should a mostly chord based thing be a riff or should it only be counted if it's mostly notes (melodic doesn't seem to be the right word here)? And should it be played lower on the fretboard for extra grunt? 9 D! E" W+ W, V* H! t: _ ! `- l/ i/ x: @7 yFor example, 'Sunshine of Your Love' is what we consider to embody the best in what aught to be considered a riff. While on the other hand, 'Sweet Child O’ Mine' is too far up the fretboard and should be more thought of as a lead rather than a riff. & T- |0 q( U5 C! z" N& `9 c& z3 T! J7 c5 f, k, f/ [
Sponsor8 R9 ^- H$ N2 a7 i D2 {9 Q7 K
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Anyway - here's what Gibson came up with: / @& g ~4 x7 V9 P2 ~' `" ^& e( r$ J f) ]7 @( ^
1. “(I Can’t Get No) Satisfaction,” The Rolling Stones" F& o0 N% c) @0 a
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2. “Smoke on the Water,” Deep Purple / f# H- X, m0 k& r) u, b/ }' [$ d7 S. W; D3 ~
3. “Whole Lotta Love,” Led Zeppelin: t* D0 S( n% |1 X% a; D% ^; O: n
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4. “Iron Man,” Black Sabbath + D( z Z V$ i/ U' X7 q9 N1 ? {' S& _
5. “Back in Black,” AC/DC) b8 b+ p; t% i# R# Y
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6. “Smells Like Teen Spirit,” Nirvana8 T. g- L" c: K4 i9 q+ t
+ x" }! o, R% N7 K$ b7. “You Really Got Me,” The Kinks$ V- Y% N m+ l; _
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8. “Day Tripper,” The Beatles 1 z$ h# m/ ] T( { 6 K8 S R! H7 T- e2 z9. “Walk This Way,” Aerosmith : \8 Q0 @+ q9 I9 V3 x& E9 v- G9 y/ t" n( b- \7 j
10. “Sunshine of Your Love,” Cream 5 a6 s7 N+ ^) a. u* d5 d & w7 N9 p+ ^& E* u: L x4 p) ] S11. “Crazy Train,” Ozzy Osbourne3 D6 T& p. `7 d U
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12. “Sweet Child O’ Mine,” Guns N’ Roses$ B# Y% n* n2 _* B. x& Z, I
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13. “Layla,” Derek and the Dominos q% S9 a5 J" n+ X* r* M0 S3 [/ Q+ U+ e' I1 S5 Z
14. “Purple Haze,” The Jimi Hendrix Experience * ?. Q5 I$ c0 b/ J) K7 ~/ f 6 G( p7 H, G( @) z. X15. “Enter Sandman,” Metallica 2 q9 S7 } J& U% M/ L) p" h, c E4 T/ n4 [' O; b
16. “Heartbreaker,” Led Zeppelin- _& O3 Y" x) J: _4 L
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17. “Black Dog,” Led Zeppelin 3 g9 ], m7 M# s - {6 m" p: l. _9 z, W, y/ m* F+ S18. “Oh, Pretty Woman,” Roy Orbison % R# s) l& i0 ` & u* p2 \; A4 Q+ N* h% e! c19. “Johnny B. Goode,” Chuck Berry( i+ y( ]$ A0 q, ~3 w1 j8 D% n
G. m2 Z4 w6 `8 Q2 V/ R20. “Foxy Lady,” The Jimi Hendrix Experience - _) z8 h1 E g8 O6 n3 m: c) F
21. “I Feel Fine,” The Beatles! P! ?0 s) c6 i1 k; A( O2 \
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22. “Ain’t Talkin’ ’bout Love,” Van Halen3 J& b5 o/ M: _5 q; y0 R
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23. “Seven Nation Army,” The White Stripes 8 e( i1 ^: c$ ?; j3 E . b1 P0 F9 q3 Z/ m3 C24. “Ticket to Ride,” The Beatles. i- @& j# N5 T8 ]. F
& D+ G' Q, _8 e5 {. r25. “Highway to Hell,” AC/DC$ W6 d# M: k& J6 H: a6 Z) x* F
5 c7 \0 [5 e) k9 a* |26. “Shakin’ All Over,” Johnny Kidd and the Pirates# S, `7 s' {; T5 t3 A
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27. “Rebel Rebel,” David Bowie # J$ [1 ^8 }$ ], y5 G, T! f' b) V R2 g
28. “Mannish Boy,” Muddy Waters f ^( v7 L: }) T2 [ - p& N% Y! S* C% t9 X; Z+ G: t: {; n+ s: K29. “Bo Diddley,” Bo Diddley5 g- X! k" H6 S3 @( H6 d. {: z
9 i) ^" H/ H- d8 ~, N( f30. “Welcome to the Jungle,” Guns N’ Roses. w- A( p7 u6 u' y, X
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31. “Voodoo Child (Slight Return),” The Jimi Hendrix Experience: q$ `) a2 ]) k8 c9 U) ~; N
1 }* f: e- }. J$ p' }6 G! H, g$ X32. “Wild Thing,” The Troggs # R2 u3 }& d$ h* ?1 x* r. m4 V& ]1 D" ~* Z
33. “T.V. Eye,” The Stooges / a5 I/ F0 g/ f! k6 r9 S8 c5 Q 8 k9 k1 m: z* \7 k34. “Rock You Like a Hurricane,” Scorpions 5 t: I# C. |8 F' A1 N( Z0 T! o 7 W. {9 ?$ a& x1 @35. “Rock and Roll,” Led Zeppelin% i2 m1 E( b# r }$ }: e/ _1 B
+ t2 c% z% L2 T* G8 |2 \( f36. “Panama,” Van Halen # J5 C, e B3 K" `8 d* U7 g5 Q8 S, b' y4 m
37. “Rumble,” Link Wray & His Ray Men; }) w) w! ^# q$ c6 x( P% x
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38. “Teenage Kicks,” The Undertones : I. h- [+ ?" s& f1 Y/ E1 D! ?5 |1 a$ G% s
39. “Sultans of Swing,” Dire Straits( f* q1 X V' h* n6 e- k: w6 X) U4 B' e
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