Fearless
% v4 c5 ^; {& T- O" |6 |Tuning: Capo 3
# T, R- d7 D1 L, j: e1 X2 v% |6 L, E, W w+ w% d2 v
D A Em G x2
6 w1 X$ z! M- g
; ?. j7 e/ C. F$ t6 kD
( u2 l% u* ^: Q! m9 f( q8 L$ c2 xThere's something 'bout the way3 [2 T3 G; w+ M9 j. v Z
A Em
) n+ d9 c; J, r, g& m3 N1 e: HThe street looks when it's just me Z! e! B' E$ b+ ?5 G" v
G
6 e8 ~: B* T6 F8 y: nThere's a glow off the pavement
; k" R# m8 ] Q% Q6 G D. I! w0 C0 Z5 u
Walk me to the car
1 [- w# N+ \- I5 Y" b4 A A Em
; p, I* ~; f/ |0 ^ NAnd you know I wanna ask you to dance right there! e v3 }( e5 E6 A) [; N
G ?5 Z/ J2 E3 G
In the middle of the parking lot) |8 c+ }8 C) g$ L- i
D A Em G& j4 b8 w* e/ G4 S
Yeah Oh Yeah. t# g, o, ^/ K& ]0 k
D
+ n8 x- D; a7 n2 }+ g ~7 MWe're drivin' down the road7 `: Z: H/ q5 E4 q) n- l; Y( p
A Em
0 O0 X% p. [& HI wonder if you know
1 ~; E2 e2 ~$ r3 W; }; V G
}) r/ q: D" Q6 Y+ k% s, Z0 R8 dI'm trying so hard not to get caught up now
8 p: d6 o* ^0 L8 v xD
. Z9 r- M0 g& F, y. i) b4 A7 g! eBut you're just so cool) K3 z. R& `) X8 o
A Em5 G S: \4 Z$ a
Run your hands through your hair
3 n; e4 p: R" k3 i3 [" o2 z$ W G A
) t$ [/ A% @* L7 u# ?' [& q+ {' cAbsent-mindedly making me want you4 P1 `$ N% S) m/ N' q
M/ B0 d" y7 Q2 f. k# N3 u" \7 j- T d$ v7 u+ }1 B: C
D A- k; Q! k, }0 q+ Z0 l
And I don't know how it gets better than this' o* W5 S; ]: d' n( J# S2 ~
Em G A6 {9 v$ H; s/ _4 p/ q9 i' X. L/ G
You take my hand and drag me head first, fearless! U9 h. m* d2 E! D* k) V( k: o
D A* Y6 h+ O/ n: y; f# l+ B6 j
And I don't know why but with you I'd dance4 \: y7 E+ m) j/ ^
Em G A$ G+ j8 f, N2 I4 O
In a storm in my best dress, fearless5 G$ W& W9 J# l! L# U
4 v' k4 Q5 S: x3 k
D A Em G
, R3 ]3 F4 \1 r3 F7 k8 q% V
! {$ @: u& q6 w! W) ^1 O1 \" FD A
1 `3 L+ ]4 R! ?7 tSo baby drive slow till we run out of road
" b0 V& J' _' U8 f. h! X5 \4 `Em: g- n% `5 T& W8 \
In this one horse town3 A, g0 j2 J" D m: M* @
G D, Q7 j! i: D" Y
I wanna stay right here in this passenger seat( Y' B# R( H2 W) t- P
A" ~. h- {+ s! d3 R+ e
you put your eyes on me/ H7 B& ~" c. W% u
Em G A
+ M( |0 F6 O6 M5 L4 w0 eIn this moment now capture it remember it& H% W1 ] o( ~$ `6 U9 \
6 w: Y. x6 k# w$ {0 Z" k" z5 ?
D A" w8 ]1 I# j' d [: K% p3 W
Cause I don't know how it gets better than this& f4 \$ J: w9 n+ i' |
Em G A6 Y: Z7 a. d; X' l
You take my hand and drag me head first, fearless2 M! Y4 I& r) y' D5 U
D A
9 Z5 h* h. Q6 y X# D% ~ }And I don't know why but with you I'd dance
2 y. C1 C# M- j; c% MEm G A
& `' I- c" A V( LIn a storm in my best dress, fearless6 @3 t/ y! b4 N4 U& [2 i( T
- L4 {- k9 v6 Y, P: }
Cadd9 D
/ e$ q0 ?8 I. ^" w! P3 i# ZYea you stood there with me in the doorway
% b, G! P7 t& V! u# `5 H Em Em7 G A
8 `) J4 p5 y- T9 a7 H D3 [my hands shake & im not usually this way
2 x% W! t" g4 J, v& t0 ~/ D, Q" BCadd9 D* X4 U- k, W. C7 N& u! \
But you pull me in & im a little more brave
% q% F+ p( q% w* D0 }, E4 a Em Em7 G& X0 T+ H# _5 a1 s/ B' @3 m
It's a first kiss, it's flawless, really something
T9 a5 B8 s2 Z) ~. i9 L2 M A D
7 X4 G! d4 F2 V( V$ `It's fearless3 M9 Z3 Y! h8 M* t, V
D A Em G8 N" u, W, u! I1 f2 A0 q
Ohh.. Yeah
' ?/ ^/ i- w3 b. I) j+ y! z( C* y* w$ Z( Q& |' U4 R
D A* v7 n" @" ^4 R" L$ W/ f1 i
And I don't know how it gets better than this% \" B+ f6 K$ n6 Q$ ^
Em G A
' g( C- z }$ wYou take my hand and drag me head first, fearless
! U+ p; i5 s. l S) I" I% f( CD A; T- I( j% M8 m% U" N' A' J2 [
And I don't know why but with you I'd dance! q5 m7 }7 G+ _% g* H
Em G A
) B4 n9 W/ x7 K% E! sIn a storm in my best dress, fearless$ X; H: m% w2 {' V' Q. V# K
& L' r* V# m7 h1 l) b+ q2 I
D A( _. ~4 E# O$ g$ `1 u
Yeah I don't know how( b, c+ ?) o) c
Em G D A
' h0 z" M" f [Oh.. oh, yeah, yeah |